Rhythm playing is one of those areas that is often overlooked, whether it’s because your timing isn’t so great or you just don’t have enough elements to create really killer sounding riffs.
This lesson covers every aspect of my approach to rhythm playing, and it’s packed full of tips and insights that you’ll be able to pick up and apply to your playing today, whether you’re just starting our or you’ve been playing for years!
Being able to switch fluently between different techniques is really important, so I’ve put together a shred lick which features a combination of alternate and sweep picking to help you nail this transition seamlessly.
If you’re new to shredding this is a great lick to get started with and I include a lot of tips and insights that will set you up on the right track to become a shred monster in no time!
This question comes from Liam who is having some trouble with alternate picking runs. He’s fine going from the high to low strings, but changing direction seems to require a great deal more concentration and is causing him to trip up. This is a tough problem and I totally understand the frustration, but I do have a solution!
In this lesson I’m going to break down the chorus section from my track Clear Skies. This solo is jam-packed with lots of different techniques and flourishes which makes it a lot of fun to play.
I’m going to guide you through this note-for-note, covering these techniques in detail as well as all of the little details, expression and delivery that will help you get this solo completely locked down. Let’s do this!
In this lesson I’ve got two licks to break down that combine alternate and sweep picking. Both use simple, familiar patterns so that we can focus on how to transition between these techniques and nail the mechanics involved.
Being able to transition seamlessly between different techniques like this makes such a huge difference to your playing, because in the real world you’re never going to do 4 bars of sweeping followed by 4 bars of tapping and so on. Instead, you should be able pick and choose techniques from your arsenal to effortlessly drop into a performance when needed – so I’ll show you exactly how I do this.
While it’s often possible to play very fast sequences purely with alternate picking, in this lesson I’m going to show you a simple hack that I use which makes it much easier to play an incredibly fast and impressive flurry of notes more easily and using far less energy.
The cool thing about this technique is you can apply it to any note combination on any strings you like, which gives you a powerful shortcut to be able to come up with blazing fast licks of your own.
In this lesson I’m going to teach you an awesome alternate picking lick inspired by the likes of John Petrucci and Paul Gilbert.
If you’ve seen my instagram you’ll probably notice I like playing this lick – a lot! Now you can too! I’ll even teach you an exercise that will help you nail that nice clean pick attack. Let’s get to it!
In this lesson I’m going to show you a pretty crazy lick of mine, using the Mixolydian mode. Don’t worry if you aren’t confident with modes, there’s actually only one note difference between Mixolydian and Major, but it gives this lick a totally different flavour!
Although it’s fairly short, this lick packs in a ton of different techniques including alternate picking, legato picking, sweep picking and a really cool sounding string skip octave section right at the end.
I love the sound of a blazing pentatonic lick! Today I’m going to take a really exciting pentatonic lick and slow it right down so that I can break it down step-by-step for you – nice and slowly!
Along the way I’ll be showing you all of the insights and techniques that come together to allow you to play this lick at incredible speed.